Monstrous Births and Imaginations: Authorship and Folklore in Shakespeare’s A Midsummer Night’s Dream
The amateur actors in A Midsummer Night’s Dream are compared several times with the fairies who inhabit a forest outside of Athens. This article will investigate the significance of the analogy by exploring commonalities between discursive elements…
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The amateur actors in A Midsummer Night’s Dream are compared several times with the fairies who inhabit a forest outside of Athens. This article will investigate the significance of the analogy by exploring commonalities between discursive elements in folklore, physiology, and philosophy that regard imaginative faculties as a powerful force. When contextualizing Shakespeare’s representation of acting and writing within early modern assumptions about the nature of the imagination and its relation to popular stories of monstrous births, fairies, and witches, we can see that A Midsummer Night’s Dream portrays theatre as a medium containing subversive political and erotic energies that potentially can alter the socio-political landscape. Dans A Midsummer Night’s Dream, les acteurs amateurs sont plusieurs fois comparés aux fées habitant la forêt voisine d’Athènes. Cet article examine la signification de cette analogie en explorant les points communs que partagent les discours tenus sur le folklore, sur la physiologie et sur la philosophie : tous considèrent les facultés imaginatives comme de puissantes forces. Lorsque l’on situe les représentations proposées par Shakespeare de l’acteur et de l’écrivain dans le contexte des idées de son époque sur la nature de l’imagination et sur sa relation avec les histoires populaires de naissances monstrueuses, de fées et de sorcières, on constate que A Midsummer Night’s Dream représente le théâtre comme un art porteur d’énergies politiques et érotiques subversives, lesquelles peuvent éventuellement modifier le paysage sociopolitique.
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Original publication: Walters, Lisa. "Monstrous Births and Imaginations: Authorship and Folklore in Shakespeare’s A Midsummer Night’s Dream." Renaissance and Reformation 39 (1): 2016. 115-146. DOI: 10.33137/rr.v39i1.26545. This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Iter Canada / Renaissance and Reformation. Copyright © the author(s). Their work is distributed by Renaissance and Reformation under a Creative Commons Attribution-NonCommercial 4.0 International License. For details, see https://creativecommons.org/licenses/.
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