Review of Altre carceri d’invenzione. Studi gaddiani

Review | অংশগ্রহণকারী(রা): Deborah Amberson

Review of Dictionary of Literary Biography. (Volume 339: Seventeenth-Century Italian Poets and Dramatists)

Review | অংশগ্রহণকারী(রা): Viviana Comensoli

Review of Sisifo felice. Vincenzo Cerami, drammaturgo

Review | অংশগ্রহণকারী(রা): Patrizia Bettella

Review of Addressing the Letter: Italian Women Writers’ Epistolary Fiction

Review | অংশগ্রহণকারী(রা): Sonia Cancian

Review of Reasonable Doubt (Complice il dubbio)

Review | অংশগ্রহণকারী(রা): Carol Lazzaro-Weis

Review of Il cibo e le donne nella cultura e nella storia. Prospettive interdisciplinari

Review | অংশগ্রহণকারী(রা): Konrad Eisenbichler

Review of Ludolinguistica e glottodidattica

Review | অংশগ্রহণকারী(রা): Roberta Iannacito-Provenzano

You Will Therefore Understand

Article | অংশগ্রহণকারী(রা): Claudio Magris, Anne Milano Appel

The Conch Shell

Article | অংশগ্রহণকারী(রা): Marisa Madieri, Anne Milano Appel

Mirror Images of Remembrance in Marisa Madieri’s La conchiglia and Claudio Magris’s Lei dunque capirà: A Translator’s Notes

Article | অংশগ্রহণকারী(রা): Anne Milano Appel

A kind of parallelism is noted between Marisa Madieri’s short story La conchiglia and the novella Lei dunque capirà by Claudio Magris. In La conchiglia there is a she (Madieri the author) who writes in the voice of a he (the narrator and surviving spouse) who recalls another she (his deceased...

The Transparencies of Marisa Madieri: Autobiography as Farewell

Article | অংশগ্রহণকারী(রা): Ernestina Pellegrini

This article analyses Marisa Madieri’s narrative with particular attention to its stylistic traits. It focuses on her autobiographical style, characterized by nostalgia and—at the same time—a puzzling and enchanting detachment. Madieri’s writing closely looks at the earthly and the physical world...

La produzione letteraria di Marisa Madieri

Article | অংশগ্রহণকারী(রা): Corinna Gerbaz Giuliano

Marisa Madieri inaugura con Verde acqua il filone della letteratura dell’esodo al femminile. La memoria costituisce il perno della narrazione e il tema dell’esilio rappresenta una costante nella scrittura madieriana. Il linguaggio, caratterizzato da un registro espressivo intenso e puro, e...

Tra le (non) virgole di Alla cieca. Osservazioni sulla traduzione di Alla cieca e sul rapporto tra Claudio Magris e i suoi traduttori

Article | অংশগ্রহণকারী(রা): Barbara Ivancic

Le opere di Claudio Magris sono state tradotte in molte lingue; il primato spetta a Danubio (1986), che segnò il successo internazionale dello scrittore e germanista triestino, con ventidue traduzioni, seguono Un altro mare (1991), tradotto in quattordici lingue, e Microcosmi (1997), a quota...

The Presence of Myth in Claudio Magris’s Postmillennial Narrative

Article | অংশগ্রহণকারী(রা): Sandra Parmegiani

This article addresses Magris’s appropriation of classical myth in his postmillennial narrative. Since his early works of literary criticism Magris explored the world of myth and the mythopoeic power of literature, but only in his postmillennial texts has he undertaken the writing of what John J....

Review of Dante’s Journey to Polyphony

Review | অংশগ্রহণকারী(রা): Antonio Rossini

Review of Renaissance Medievalisms

Review | অংশগ্রহণকারী(রা): Mary Watt

Review of “My Muse Will Have a Story to Paint.” Selected Prose of Ludovico Ariosto

Review | অংশগ্রহণকারী(রা): Violetta Topoleva

Review of Disreputable Bodies: Magic, Medicine, and Gender in Renaissance Natural Philosophy

Review | অংশগ্রহণকারী(রা): Kevin Siena

Review of Rhymes of Love

Review | অংশগ্রহণকারী(রা): Bryan Brazeau

Review of The Poetics of Masculinity in the Early Modern Italy and Spain

Review | অংশগ্রহণকারী(রা): Elena Brizio