Intertextual Madness in Hamlet: The Ghost's Fragmented Performativity
This essay establishes King James I's Daemonologie and Reginald Scot's Discouerie of Witchcraft as intertexts for Hamlet. It demonstrates how the diabolical linguistic register borrowed from these intertexts both heightens the verisimilitude of…
Listado en Article | publicación de grupo Iter Community
Versión 1.0 - publicado en 14 May 2025
Licencia Creative Commons BY-NC 4.0
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