The one-act play Cecè (1913) by Luigi Pirandello belongs to the playwright’s early production and has been rightly praised for its perfect comic mechanism. Yet, it has heretofore attracted little attention in the academic world. Despite containing one of the first instances of the author’s approach to the instability of self, one of the reasons why its depth appears limited, resides in its brevity when compared to Pirandello’s major works. However, its very economy may allow a director to be experimental and offer multiple versions and perspectives to the audience in a single evening, showcasing a variety of critical theories.

Les chercheurs doivent citer ce travail comme suit :

• Boselli, S., (2025), "The Short Play and Postmodernist Stage Directing: A Virtual Experiment with Pirandello’s Cecè", HSSCommons: (DOI: )

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1. Quaderni d'italianistica

Original publication: Boselli, Stefano. "The Short Play and Postmodernist Stage Directing: A Virtual Experiment with Pirandello’s Cecè." Quaderni d'italianistica 32 (2): 2012. 159-182. DOI: 10.33137/q.i..v32i2.16313. This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Iter Canada / Quaderni d'italianistica. Copyright © the author(s). Their work is distributed by Quaderni d'italianistica under a Creative Commons Attribution-NonCommercial 4.0 International License. For details, see https://creativecommons.org/licenses/.