An Imagined Community of Their Own: Voices of Italian Immigrants in Il Lavoratore Italiano
Article | Contribuidor(es): Thierry Rinaldetti
This contribution proposes to reflect on the experience and sense of identity of Italians through the analysis of Il Lavoratore Italiano, an Italian-language radical weekly newspaper published in Kansas from 1905 to 1927. A mouthpiece for Italian rank-and-file radicals in the U.S., the periodical...
Between Reality and Symbol: Fierce Dogs and Ferocious Wolves in the Decameron
Article | Contribuidor(es): Julia M. Cozzarelli
Non-human animals have a long history of being utilized to understand human nature, and both wild and domestic canines have been particularly intertwined with humanity since ancient times. This article examines the representation of animals, and specifically of dogs and wolves, in Boccaccio’s...
The Influence of Milan on the Development of the Lombard Koiné in Fifteenth-Century Italy: the Letters of Elisabetta of Pavia
Article | Contribuidor(es): Josh Brown
The main tendency characterizing the development of language in Lombardy in the fourteenth and fifteenth centuries is the formation of a koiné. The extent to which Milan influenced the Lombard koiné is the subject of ongoing debate. On the one hand, scholars suggest that Milan provided a...
The Nineteenth-Century Italian Translators of Lord Byron’s Marino Faliero
Article | Contribuidor(es): Sergio Portelli
The tragic story of Marino Faliero, the Doge of Venice who was executed for high treason in 1355, came to the attention of writers and artists of various European countries during the early nineteenth century thanks to a number of historians who published insightful works on the history of the...
Rhizomatic Cities in Italo Calvino’s Invisible Cities
Article | Contribuidor(es): Sambit Panigrahi
Italo Calvino’s highly successful novel Invisible Cities thoroughly explains Deleuze and Guattari’s famous postmodern concept of rhizome. The cities in the novel do not possess a fixed and coherent structure; rather they exude a structurality that is immensely fleeting and continually evolving....
Vladimir Mayakovsky as Exemplary Character: Two Interpretations by Dario Fo and Carmelo Bene
Article | Contribuidor(es): Malcolm Angelucci, Stephen Kolsky
This article contributes to the mapping of the role played by the Russian poet, playwright, artist and performer Vladimir Mayakovsky (1893-1930) in the Italian context of the 60s and 70s, concentrating on Dario Fo’s L’operaio conosce 300 parole, il padrone 1000, per questo lui è il padrone...
Fables and Faith: Favoleggiare in the Commedia
Article | Contribuidor(es): Mary-Michelle DeCoste
The verb favoleggiare appears twice in Dante’s Divina commedia, both times in the Paradiso. An examination of the use of this word, alongside a secondary consideration of the word favola as it is used elsewhere in the Paradiso, suggests the poet’s concern with the relationship between knowledge,...
L’arte del realismo onirico: architettura, pittura e letteratura nell’opera di Arduino Cantàfora
Article | Contribuidor(es): Nicola Delledonne
Il presente contributo critico interpreta l’opera di Arduino Cantàfora (1945) — architetto, pittore e scrittore — attraverso la nozione di realismo onirico, coniata per evidenziare la propensione dell’artista milanese a trasfigurare gli elementi della realtà secondo un processo tipico del mondo...
Review of Selected Poems and Prose
Review | Contribuidor(es): Kevin B. Reynolds
Review of L’umana “Commedia” di Dante
Review | Contribuidor(es): Paola Basile
Review of La Poetica dell’Affetto. Estetica religiosa nella Divina Commedia
Review | Contribuidor(es): Simona Lorenzini
Petrarch’s Fragmenta: The Narrative and Theological Unity of Rerum vulgarium fragmenta
Article | Contribuidor(es): Joel S. Pastor
Review of Rethinking Gaspara Stampa in the Canon of Renaissance Poetry
Review | Contribuidor(es): Nicla Riverso
Review of Italian Renaissance Diplomacy: A Sourcebook
Review | Contribuidor(es): Veronica Copello
Review of The Italian Academies: 1525–1700. Networks of Culture, Innovation and Dissent
Review | Contribuidor(es): Patrizia Bettella
Review of Semiotics and Pragmatics of Stage Improvisation
Review | Contribuidor(es): Rosalind Kerr
Review of Biografie ottocentesche di Giuseppe Parini
Review | Contribuidor(es): Beatrice Barbalato
Review of The Formation of a National Audience in Italy, 1750–1890. Readers and Spectators of Italian Culture
Review | Contribuidor(es): Anne Urbancic
Review of The Codex Fori Mussolini: A Latin Text of Italian Fascism
Review | Contribuidor(es): Aaron A. Thomas
Review of A Croce Reader: Aesthetics, Philosophy, History, and Literary Criticism
Review | Contribuidor(es): Milena Sabato
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