Review of Voices of the Body. Liminal Grammar in Guido Cavalcanti’s ‘Rime’. Voci del corpo. Grammatica liminale nelle ‘Rime’ di Guido Cavalcanti

Review | অংশগ্রহণকারী(রা): Sarah Rolfe Prodan

Review of Virgil the Blind Guide. Marking the Way Through the Divine Comedy

Review | অংশগ্রহণকারী(রা): Mary Watt

Review of The Poetics of Dante’s Paradiso

Review | অংশগ্রহণকারী(রা): Tobias Foster Gittes

Review of Il Dante sapienziale. Dionigi e la bellezza di Beatrice

Review | অংশগ্রহণকারী(রা): Maria Clara Iglesias

Review of Hopeless Love. Boiardo, Ariosto, and Narratives of Queer Female Desire

Review | অংশগ্রহণকারী(রা): Amyrose McCue Gill

Review of A Renaissance Education. Schooling in Bergamo and the Venetian Republic, 1500-1650

Review | অংশগ্রহণকারী(রা): Paul F. Grendler

Review of Altre carceri d’invenzione. Studi gaddiani

Review | অংশগ্রহণকারী(রা): Deborah Amberson

Review of Dictionary of Literary Biography. (Volume 339: Seventeenth-Century Italian Poets and Dramatists)

Review | অংশগ্রহণকারী(রা): Viviana Comensoli

Review of Sisifo felice. Vincenzo Cerami, drammaturgo

Review | অংশগ্রহণকারী(রা): Patrizia Bettella

Review of Addressing the Letter: Italian Women Writers’ Epistolary Fiction

Review | অংশগ্রহণকারী(রা): Sonia Cancian

Review of Reasonable Doubt (Complice il dubbio)

Review | অংশগ্রহণকারী(রা): Carol Lazzaro-Weis

Review of Il cibo e le donne nella cultura e nella storia. Prospettive interdisciplinari

Review | অংশগ্রহণকারী(রা): Konrad Eisenbichler

Review of Ludolinguistica e glottodidattica

Review | অংশগ্রহণকারী(রা): Roberta Iannacito-Provenzano

You Will Therefore Understand

Article | অংশগ্রহণকারী(রা): Claudio Magris, Anne Milano Appel

The Conch Shell

Article | অংশগ্রহণকারী(রা): Marisa Madieri, Anne Milano Appel

Mirror Images of Remembrance in Marisa Madieri’s La conchiglia and Claudio Magris’s Lei dunque capirà: A Translator’s Notes

Article | অংশগ্রহণকারী(রা): Anne Milano Appel

A kind of parallelism is noted between Marisa Madieri’s short story La conchiglia and the novella Lei dunque capirà by Claudio Magris. In La conchiglia there is a she (Madieri the author) who writes in the voice of a he (the narrator and surviving spouse) who recalls another she (his deceased...

The Transparencies of Marisa Madieri: Autobiography as Farewell

Article | অংশগ্রহণকারী(রা): Ernestina Pellegrini

This article analyses Marisa Madieri’s narrative with particular attention to its stylistic traits. It focuses on her autobiographical style, characterized by nostalgia and—at the same time—a puzzling and enchanting detachment. Madieri’s writing closely looks at the earthly and the physical world...

La produzione letteraria di Marisa Madieri

Article | অংশগ্রহণকারী(রা): Corinna Gerbaz Giuliano

Marisa Madieri inaugura con Verde acqua il filone della letteratura dell’esodo al femminile. La memoria costituisce il perno della narrazione e il tema dell’esilio rappresenta una costante nella scrittura madieriana. Il linguaggio, caratterizzato da un registro espressivo intenso e puro, e...

Tra le (non) virgole di Alla cieca. Osservazioni sulla traduzione di Alla cieca e sul rapporto tra Claudio Magris e i suoi traduttori

Article | অংশগ্রহণকারী(রা): Barbara Ivancic

Le opere di Claudio Magris sono state tradotte in molte lingue; il primato spetta a Danubio (1986), che segnò il successo internazionale dello scrittore e germanista triestino, con ventidue traduzioni, seguono Un altro mare (1991), tradotto in quattordici lingue, e Microcosmi (1997), a quota...

The Presence of Myth in Claudio Magris’s Postmillennial Narrative

Article | অংশগ্রহণকারী(রা): Sandra Parmegiani

This article addresses Magris’s appropriation of classical myth in his postmillennial narrative. Since his early works of literary criticism Magris explored the world of myth and the mythopoeic power of literature, but only in his postmillennial texts has he undertaken the writing of what John J....