Review of The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body
Review | অংশগ্রহণকারী(রা): Sheila Batacharya
Review of In un concerto di voci amiche. Studi di Letteratura italiana dell’Otto e Novecento in onore di Donato Valli
Review | অংশগ্রহণকারী(রা): Patrizia Bettella
Review of Memoria collettiva e memoria privata: il ricordo della Shoah come politica sociale
Review | অংশগ্রহণকারী(রা): Millicent Marcus
Review of “Una farfalla chiamata Solaria” tra l’Europa e il romanzo
Review | অংশগ্রহণকারী(রা): Corrado Federici
Review of Italian Women's Theatre, 1930-1960. An Anthology of Plays
Review | অংশগ্রহণকারী(রা): Laura A. Salsini
Review of Alice Street: A Memoir
Review | অংশগ্রহণকারী(রা): Matteo Sanfilippo
Review of Un italiano diverso. Giacomo Matteotti
Review | অংশগ্রহণকারী(রা): Angelo Principe
Review of Contemporary Italian Cinema: Images of Italy at the Turn of the Century
Review | অংশগ্রহণকারী(রা): Paola Basile
Review of I “pori” di Napoli. Il cinema di Mario Martone, Antonio Capuano e Pappi Corsicato
Review | অংশগ্রহণকারী(রা): Marzia Caporale
Review of La scrittura terapeutica. Saggio su Gianni Celati
Review | অংশগ্রহণকারী(রা): Marina Spunta
Review of “L’indomabile furore.” Sondaggi su Domenico Rea
Review of Non incoraggiate il romanzo: sulla narrativa italiana
Review | অংশগ্রহণকারী(রা): Marcello Sabbatino
Review of I giovani raccontano gli anziani. Il contributo del VideoConcorso Francesco Pasinetti alla riflessione su invecchiamento, dialogo intergenerazionale e trasmissione culturale in Italia
Review | অংশগ্রহণকারী(রা): Sarah Carey
Anti-Petrarchism in the Decameron’s Proem and Introduction
Article | অংশগ্রহণকারী(রা): Joseph Grossi
Similarities of purpose between the Proem of the Decameron and the opening sonnet of the Rerum vulgarium fragmenta have been noticed by several scholars. Students of Boccaccio and Petrarch are also becoming increasingly aware that the former was willing to criticize his friend, as he did when...
La creazione di una figura politica: L’entrata in Napoli di Ipolita Maria Sforza Visconti d’Aragona, duchessa di Calabria
Article | অংশগ্রহণকারী(রা): Veronica Mele
Il momento più alto di elaborazione e manifestazione dell’immagine pubblica di Ippolita Maria Sforza, duchessa di Calabria, si realizzò in occasione del viaggio che nell’estate 1465, da Milano a Napoli, doveva condurla sposa ad Alfonso d’Aragona. Il lungo itinerario attraverso quasi tutti gli...
“Godo d’essere italiano” : Saverio Almatura tra letteratura e arti figurative del Risorgimento
Article | অংশগ্রহণকারী(রা): Vincenzo Caputo
L’intervento si pone l’obiettivo di analizzare lo scritto autobiografico del pittore Saverio Altamura (1896). Tra la fine dell’Ottocento e l’inizio del Novecento numerosi artisti, napoletani di nascita o d’adozione (Altamura era nato a Foggia, ma si era formato nella città partenopea), elaborano...
La passeggiata prima di cena: percorsi dello sguardo, e la lezione di Georges Seurat
Article | অংশগ্রহণকারী(রা): Alessandro Giardino
L’articolo offre un’analisi dei legami intertestuali esistenti tra il racconto “La passeggiata prima di cena” di Giorgio Bassani ed il dipinto Un dimanche après-midi à l’Île de la Grande Jatte di Georges Seurat. In particolare, l’articolo illustra questa relazione alla luce del dibattito...
On Dark Laughter: Leopardi’s and Beckett’s Humour
Article | অংশগ্রহণকারী(রা): Roberta Cauchi-Santoro
The desire not to desire is crucial to Samuel Beckett and Giacomo Leopardi. Beckett explores this theme in Proust where Leopardi’s poem “A Se Stesso” is thrice quoted. Before citing this poem, Beckett catalogues Leopardi as one of the philosophers who proposed the only impossible solution—the...
Memory, History and a Mother’s Resistant Mourning in Giuseppe Dessì’s Il disertore
Article | অংশগ্রহণকারী(রা): Amy Boylan
This essay proposes a re-reading of Giuseppe Dessì’s Il disertore (1961) in the context of collective memory theory and postmodern concerns with mourning and melancholia. Through an examination of the way Dessì represents the interaction between individual memories and official memorialization in...
"Cristina Campo’s Visions and Revisions: The essay ‘Una rosa' between 1962 and 1971"
Article | অংশগ্রহণকারী(রা): Cristina Mazzoni
A comparative analysis of the 1962 and the 1971 versions of Cristina Campo’s essay “Una rosa”—an interpretation of the French classic fairy tale, “Beauty and the Beast”—reveals several small but significant changes. These can be most usefully understood in the context of Campo’s conversion to...
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