Canadian HSS Commons - প্রকাশনাগুলো: সব

An Imagined Community of Their Own: Voices of Italian Immigrants in Il Lavoratore Italiano

Article | অংশগ্রহণকারী(রা): Thierry Rinaldetti

This contribution proposes to reflect on the experience and sense of identity of Italians through the analysis of Il Lavoratore Italiano, an Italian-language radical weekly newspaper published in Kansas from 1905 to 1927. A mouthpiece for Italian rank-and-file radicals in the U.S., the periodical...

Between Reality and Symbol: Fierce Dogs and Ferocious Wolves in the Decameron

Article | অংশগ্রহণকারী(রা): Julia M. Cozzarelli

Non-human animals have a long history of being utilized to understand human nature, and both wild and domestic canines have been particularly intertwined with humanity since ancient times. This article examines the representation of animals, and specifically of dogs and wolves, in Boccaccio’s...

The Influence of Milan on the Development of the Lombard Koiné in Fifteenth-Century Italy: the Letters of Elisabetta of Pavia

Article | অংশগ্রহণকারী(রা): Josh Brown

The main tendency characterizing the development of language in Lombardy in the fourteenth and fifteenth centuries is the formation of a koiné. The extent to which Milan influenced the Lombard koiné is the subject of ongoing debate. On the one hand, scholars suggest that Milan provided a...

The Nineteenth-Century Italian Translators of Lord Byron’s Marino Faliero

Article | অংশগ্রহণকারী(রা): Sergio Portelli

The tragic story of Marino Faliero, the Doge of Venice who was executed for high treason in 1355, came to the attention of writers and artists of various European countries during the early nineteenth century thanks to a number of historians who published insightful works on the history of the...

Rhizomatic Cities in Italo Calvino’s Invisible Cities

Article | অংশগ্রহণকারী(রা): Sambit Panigrahi

Italo Calvino’s highly successful novel Invisible Cities thoroughly explains Deleuze and Guattari’s famous postmodern concept of rhizome. The cities in the novel do not possess a fixed and coherent structure; rather they exude a structurality that is immensely fleeting and continually evolving....

Vladimir Mayakovsky as Exemplary Character: Two Interpretations by Dario Fo and Carmelo Bene

Article | অংশগ্রহণকারী(রা): Malcolm Angelucci, Stephen Kolsky

This article contributes to the mapping of the role played by the Russian poet, playwright, artist and performer Vladimir Mayakovsky (1893-1930) in the Italian context of the 60s and 70s, concentrating on Dario Fo’s L’operaio conosce 300 parole, il padrone 1000, per questo lui è il padrone...

Fables and Faith: Favoleggiare in the Commedia

Article | অংশগ্রহণকারী(রা): Mary-Michelle DeCoste

The verb favoleggiare appears twice in Dante’s Divina commedia, both times in the Paradiso. An examination of the use of this word, alongside a secondary consideration of the word favola as it is used elsewhere in the Paradiso, suggests the poet’s concern with the relationship between knowledge,...

L’arte del realismo onirico: architettura, pittura e letteratura nell’opera di Arduino Cantàfora

Article | অংশগ্রহণকারী(রা): Nicola Delledonne

Il presente contributo critico interpreta l’opera di Arduino Cantàfora (1945) — architetto, pittore e scrittore — attraverso la nozione di realismo onirico, coniata per evidenziare la propensione dell’artista milanese a trasfigurare gli elementi della realtà secondo un processo tipico del mondo...

Review of Selected Poems and Prose

Review | অংশগ্রহণকারী(রা): Kevin B. Reynolds

Review of L’umana “Commedia” di Dante

Review | অংশগ্রহণকারী(রা): Paola Basile

Review of La Poetica dell’Affetto. Estetica religiosa nella Divina Commedia

Review | অংশগ্রহণকারী(রা): Simona Lorenzini

Petrarch’s Fragmenta: The Narrative and Theological Unity of Rerum vulgarium fragmenta

Article | অংশগ্রহণকারী(রা): Joel S. Pastor

Review of Rethinking Gaspara Stampa in the Canon of Renaissance Poetry

Review | অংশগ্রহণকারী(রা): Nicla Riverso

Review of Italian Renaissance Diplomacy: A Sourcebook

Review | অংশগ্রহণকারী(রা): Veronica Copello