Review of Dante's Griffin and the History of the World: A Study of the Earthly Paradise (Purgatorio, cantos xxix-xxxiii)
Review | অংশগ্রহণকারী(রা): Carolynn Lund-Mead
Review of Le Chiose Ambrosiane alla "Commedia"
Review | অংশগ্রহণকারী(রা): Lino Pertile
Review of Ninfale fiesolano
Review | অংশগ্রহণকারী(রা): Ada Testaferri
Review of Crossing the Boundaries: Christian Piety and the Arts in Medieval and Renaissance Confraternities
Review | অংশগ্রহণকারী(রা): Robert J. McCue
Review of "La Miraculosa Aqua". Lettura delle Porretane Novelle
Review | অংশগ্রহণকারী(রা): S. Bernard Chandler
Review of Machiavelli nella storiografia fiorentina: Per la storia di un genere letterario
Review | অংশগ্রহণকারী(রা): Kenneth R. Bartlett
Review of L'ingresso trionfale di Leone X in Firenze nel 1515
Review | অংশগ্রহণকারী(রা): Konrad Eisenbichler
Review of The Poetry of Michelangelo: An Annotated Translation
Review | অংশগ্রহণকারী(রা): Joseph Francese
Review of L'Orazia
Review | অংশগ্রহণকারী(রা): Salvatore Di Maria
Review of Gabriele D'Annunzio
Review | অংশগ্রহণকারী(রা): Maddalena Kuitunen
Review of Le paradigme inquiet. Pirandello et le champ de la modernité
Review | অংশগ্রহণকারী(রা): Manuela Gieri
Review of Difficult Games. A Reading of I racconti by Italo Calvino
Review | অংশগ্রহণকারী(রা): Giusy Oddo
Review of Diario postumo
Review | অংশগ্রহণকারী(রা): Alberto Frattini
Review of Le stanze ritrovate: Antologia di scrittrici venete dal Quattrocento al Novecento
Review | অংশগ্রহণকারী(রা): Olga Zorzi Pugliese
Review of Leonardo Bruni Cancelliere della Repubblica di Firenze. Convegno di studi, Firenze, 27-29 ottobre 1987
Review of Amore e morte nelle "Rime" di Michelangelo
Review | অংশগ্রহণকারী(রা): Francesco Guardiani
Review of Rinaldo. Edizione critica basata sulla seconda edizione del 1570 con le varianti della princeps (1562)
Review | অংশগ্রহণকারী(রা): Antonio Franceschetti
Review of I sacrifici umani. D'Annunzio antropologo e rituale
Review of Il realismo impopolare di Pier Paolo Pasolini
Review of Women in Modern Italian Literature. Four Studies Based on the Work of Grazia Deledda, Alba De Céspedes, Natalia Ginzburg and Dacia Maraini
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