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  1. Review of Poussin and the Poetics of Painting. Pictorial Narrative and the Legacy of Tasso

    Review of Poussin and the Poetics of Painting. Pictorial Narrative and the Legacy of Tasso

    Review | অংশগ্রহণকারী(রা): Rebekah Smick

  2. Review of Il solito Manzoni e il Manzoni vero

    Review of Il solito Manzoni e il Manzoni vero

    Review | অংশগ্রহণকারী(রা): Massimo Verdicchio

  3. Review of A Tournament of Misfits: Tall Tales and Short

    Review of A Tournament of Misfits: Tall Tales and Short

    Review | অংশগ্রহণকারী(রা): Neal McTighe

  4. Review of Al limite. L'idea di margine e confine nel Novecento italiano

    Review of Al limite. L'idea di margine e confine nel Novecento italiano

    Review | অংশগ্রহণকারী(রা): Federico Fiorentini

  5. Review of Pirandello presenza varia e perenne

    Review of Pirandello presenza varia e perenne

    Review | অংশগ্রহণকারী(রা): Antonio Alessio

  6. Review of D. H. Lawrence’s Italian Travel Literature and Translations of Giovanni Verga

    Review of D. H. Lawrence’s Italian Travel Literature and Translations of Giovanni Verga

    Review | অংশগ্রহণকারী(রা): Massimo Verdicchio

  7. Review of Keeping House. A Novel in Recipes

    Review of Keeping House. A Novel in Recipes

    Review | অংশগ্রহণকারী(রা): Anne Urbancic

  8. Review of Sex, the Self and the Sacred. Women in the Cinema of Pier Paolo Pasolini

    Review of Sex, the Self and the Sacred. Women in the Cinema of Pier Paolo Pasolini

    Review | অংশগ্রহণকারী(রা): Sciltian Gastaldi

  9. Review of Radici sporadiche. Letteratura, viaggi, migrazioni

    Review of Radici sporadiche. Letteratura, viaggi, migrazioni

    Review | অংশগ্রহণকারী(রা): Erika Papagni

  10. Review of Le donne e la Shoah

    Review of Le donne e la Shoah

    Review | অংশগ্রহণকারী(রা): Stefania Lucamante

  11. Review of Censorship and Literature in Fascist Italy

    Review of Censorship and Literature in Fascist Italy

    Review | অংশগ্রহণকারী(রা): Laura Benedetti

  12. Review of Italian Film in the Shadow of Auschwitz

    Review of Italian Film in the Shadow of Auschwitz

    Review | অংশগ্রহণকারী(রা): Laura Benedetti

  13. Modalità metamorfiche nella figura e funzione del maggior satiro ferrarese del tardo Cinquecento

    Modalità metamorfiche nella figura e funzione del maggior satiro ferrarese del tardo Cinquecento

    Article | অংশগ্রহণকারী(রা): Gabriele Niccoli

    Questo breve saggio intende analizzare il modo in cui, a distanza di poco più di un decennio dalla stesura e messinscena dell'Aminta, e consapevole degli schemi pastorali post-tassiani sperimentati da diversi drammaturghi, il Guarini sia in grado di effettuare, in un'ottica di colta ed...

  14. Indici e controindici: la polemica di Pier Paolo Vergerio contro la censura ecclesiastica

    Indici e controindici: la polemica di Pier Paolo Vergerio contro la censura ecclesiastica

    Article | অংশগ্রহণকারী(রা): Alessandro La Monica

    In quest'articolo si esaminano alcuni dei rilievi polemici che Pier Paolo Vergerio il giovane inserì nei numerosi libelli scritti contro il papato e la Chiesa cattolica. Gli interventi vergeriani qui studiati riguardano gli Indices librorum prohibitorum, segnatamente quello veneziano del...

  15. From Nestoroff to Garbo: Pirandellian Humour in Its Cinematic Vernacular. 29

    From Nestoroff to Garbo: Pirandellian Humour in Its Cinematic Vernacular. 29

    Article | অংশগ্রহণকারী(রা): Michael Syrimis

    A discussion of the 1932 Hollywood adaptation of Pirandello's 1930 play, Come tu mi vuoi, in the context of Miriam Hansen's analysis of Hollywood cinema as "vernacular modernism" allows us to explore the relationship between Pirandello's umorismo and mass culture. The coexistence of multiple...

  16. Neo-Capitalism, Acedia and Non-Style in Pier Paolo Pasolini's Petrolio

    Neo-Capitalism, Acedia and Non-Style in Pier Paolo Pasolini's Petrolio

    Article | অংশগ্রহণকারী(রা): Deborah Amberson

    In his final novel, Petrolio, Pier Paolo Pasolini offers a dismal portrait of neo-capitalist Italy. Focusing on a programmatic referencing of sloth or acedia, this article explores a series of parallels between the symptomatology of the sin and what Pasolini saw as the unreality of consumerist...

  17. I "Peli" della Gatta Cenerentola di De Simone e del Cunto de li cunti di Basile. Una parodia dell'illustre don Benedetto Croce

    I "Peli" della Gatta Cenerentola di De Simone e del Cunto de li cunti di Basile. Una parodia dell'illustre don Benedetto Croce

    Article | অংশগ্রহণকারী(রা): Pasquale Sabbatino

    Nel corso del presente intervento si pone l'attenzione sul profondo e prolifico legame letterario che intercorre tra il drammaturgo novecentesco Roberto De Simone e lo scrittore seicentesco Giovanbattista Basile. In questo senso si evidenziano tre tappe salienti. De Simone debuttò nel 1976...

  18. "The loving Re-Education of a Soul": Learning from Fairy Tales through Grazia Deledda and Cristina Campo

    "The loving Re-Education of a Soul": Learning from Fairy Tales through Grazia Deledda and Cristina Campo

    Article | অংশগ্রহণকারী(রা): Cristina Mazzoni

    Grazia Deledda's "Nostra Signora del Buon Consiglio" (1899) is a literary fairy tale incorporating ethnographic and Christian elements. It may usefully be read through the lens of Cristina Campo's essays on fairy tales ("Della fiaba," "Una rosa," and "In medio coeli"), because this critic...

  19. Road Movies and Gas Stations: Monica Stambrini's Benzina as Creation of Alternative Spaces

    Road Movies and Gas Stations: Monica Stambrini's Benzina as Creation of Alternative Spaces

    Article | অংশগ্রহণকারী(রা): Stefania Lucamante

    Both the novel and the film Benzina think of the literary and the visual as contesting sites for women. In revisiting the fields of space within a capitalist society and the struggle for representation of sexual identity, these two works successfully deploy strategies where the visual narrative...

  20. The Lost World of Italian American Radicalism. An Assessment

    The Lost World of Italian American Radicalism. An Assessment

    Article | অংশগ্রহণকারী(রা): Angelo Principe