A Self-Conscious Mise-en-scène: Experimenting with 'Disownment and Appropriation’

By Anthony Cristiano

While the historical definition of experimental films as highly personal works, marked by unconventional economic and aesthetic norms remains fundamentally unchanged, the context within which they are produced has evolved through the years. This…

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Versión 1.0 - publicado en 04 Jul 2025

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