Intertextual Madness in Hamlet: The Ghost's Fragmented Performativity
This essay establishes King James I's Daemonologie and Reginald Scot's Discouerie of Witchcraft as intertexts for Hamlet. It demonstrates how the diabolical linguistic register borrowed from these intertexts both heightens the verisimilitude of…
Listée dans Article | publication par groupe Iter Community
Version 1.0 - publiée le 03 Jul 2025
Sous licence Creative Commons BY-NC 4.0
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