Publics souhaités, publics refusés : les publics comme critères de la valeur de l’oeuvre dans les années 1550
In the context of the exacerbated poetic tensions of the 1550s, the readerships defined by authors are manipulated to serve as arguments in constructing the merits of a work or in discrediting it. Innovative poets and their opponents thereby work to…
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Version 1.0 - publiée le 08 Jul 2025
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